Please use this identifier to cite or link to this item: http://dx.doi.org/10.25673/117833
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dc.contributor.authorAlMouslie, Rabya-
dc.date.accessioned2025-01-10T07:10:28Z-
dc.date.available2025-01-10T07:10:28Z-
dc.date.issued2025-
dc.identifier.urihttps://opendata.uni-halle.de//handle/1981185920/119793-
dc.identifier.urihttp://dx.doi.org/10.25673/117833-
dc.description.abstractIf it is true that one picture is worth a thousand words, then how big is the impact of a prolonged sequence of countless images accompanied by music tracks and a myriad of other cinematic effects? Films are audiovisual means, which can provide entertainment, transfer knowledge, and communicate ideas. They can also serve as carriers of ideologies and cultural heritage. Since its inception, the American film industry has been continuously and predominantly casting white actors in non-white roles. The accurate term coined to describe this phenomenon is whitewashing. In this article, I will briefly examine this existing racist practice in Hollywood by highlighting some selected whitewashed race representations in American cinema. I will also attempt to explore and demonstrate multiple dimensions and impacts of this phenomenon on the US culture and beyond.eng
dc.format.extent1 Online-Ressource (8 Seiten, xx MB)-
dc.language.isoeng-
dc.publisherUniversitäts- und Landesbibliothek Sachsen-Anhalt, Halle (Saale)-
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/-
dc.subjectBlackfacingger
dc.subjectRassismusger
dc.subjectNeokolonialismusger
dc.subjectFilmwirtschaftger
dc.subject.ddc791-
dc.titleWhitewashing in Hollywood : a legacy of racismeng
dc.typeBook-
dc.identifier.urnurn:nbn:de:gbv:3:5-1351414153-1913619028-15-
local.versionTypepublishedVersion-
local.openaccesstrue-
dc.identifier.ppn1913619028-
cbs.publication.displayformHalle (Saale) : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2025-
local.publication.countryXA-DE-ST-
cbs.sru.importDate2025-01-10T07:04:19Z-
local.accessrights.dnbfree-
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